To Bathe in Filmic Waters

This end-of-year list was initially conceived back in January of 2009 as a rough guide to my favourites from the previous year. It has since been revised to include most of the titles I didn’t manage to get to until later on, so while it seems rather late in coming for those who’ve been following the blog, I assure you it’s worth it! While many opinions on the filmic crop of 2008 have already been divulged on these pages, I still find it rather exciting to lay them all out and come up with some kind of order. Some of you will notice that I won’t yet be mentioning the five (or so) honourable mentions; that info will be saved until the latter part of the list, just so as to keep things interesting. I hope you enjoy reading through it as much as I enjoyed creating it, and be sure to look out not only for the second part of this list but also the 2009 edition which should be posted around January/February of next year.

20. Man on Wire | James Marsh

The first thing we are greeted with when embarking on James Marsh’s Oscar-nominated documentary Man on Wire is the enthusiasm of its subject, French wire-walker Philippe Petit. His broken English, wild hand gestures and frequently-disappearing eyebrows are somewhat infectious, and it is this wonderful personality that raises Man on Wire from a documentary about a single passion to… [MORE]

19. The Chaser | Na Hong-jin

Based on a true story, the recent Korean box office smash Chugyeogja or The Chaser has caused quite a stir since debuting at the Berlin film festival back in February of last year. It took a while but the film finally made its European release in September and has already been picked up by Warner Bros. for a 2010 remake that will involve Leonardo DiCaprio and The Departed writer William Monahan… [MORE]

18. Waltz with Bashir | Ari Folman

As with James Marsh’s Man on Wire, Ari Folman’s Waltz with Bashir is an interesting and unique take on the documentary genre that positively shook critics’ circles upon release, scooping a truckload of awards and an Oscar nomination to boot. Man on Wire plays with the  genre to create something that could only be described as a heist-documentary film, whereas Waltz with Bashir refines it through… [MORE]

17. Lake Tahoe | Fernando Eimbcke

A father dies, a mother mourns. A son wanders the streets. This is not Lake Tahoe, but the Yucatán, Mexico – specifically a tranquil little peninsula town defined by its expansive pale blue horizons, crumbling architecture, weed-infested streets and curious, somewhat over-friendly locals. It is an unfortunate telegraph post just outside this small town of Chicxulub that our young protagonist, Juan, the Son… [MORE]

16. Snow Angels | David Gordon Green

David Gordon Green’s overlooked and under-celebrated fourth full-length feature Snow Angels is a film about adults lost – lost in love upon a landscape buried under never-ceasing snowfall. It is a tale as bleak as this pure white landscape; purity that violently contradicts the lives of our two central characters Annie and Glenn. Divorcees with a child in tow, their relationship has run aground upon rocky… [MORE]

15. My Winnipeg | Guy Maddin

“Winnipeg. Winnipeg, Winnipeg. Snowy, sleepwalking Winnipeg…” So begins Guy Maddin’s ninth feature film and quaint tribute to his home town of Winnipeg, Manitoba. My Winnipeg is by far the most personal of Maddin’s work to date, lacking the abstract blurriness of Brand Upon the Brain but excelling thanks to a certain breed of self-analysis that the director has long-since perfected. Indeed if… [MORE]

14. In Bruges | Martin McDonagh

It is a rare occurrence when a modern playwright turns his hand to film directing, and rarer still when said candidate has not yet escaped his thirties. British-born Martin McDonagh is rather an emphatic exception to this notion it would seem. After scripting numerous acclaimed theatrical and radio plays (and being nominated for a Tony Award on four separate occasions), the playwright shifted his gaze to film… [MORE]

13. The Fall | Tarsem Singh

Tarsem Singh’s The Fall is one of those filmic curiosities that come along every so often and at the same time not often enough. An elaborate project that has been years in the making, it has struggled to find investment and, subsequently, an audience to which it could be marketed to, before becoming stuck in a seemingly never-ending run of festival screenings. Since its conception almost half a… [MORE]

12. WALL·E | Andrew Stanton

In this day and age where theatrical releases are commonly referred to as ‘international events’, it baffles me that the staggered release is still so widely implemented. Pixar, just like their parent company Disney have always made their money in the hot summer months. A time when kids are experiencing a waning need to be entertained, and their parents are looking for the perfect way to fulfil… [MORE]

11. Let the Right One In | Tomas Alfredson

It’s a shame that the expression ‘knocked for six’ is largely unknown outside England and Australia, for it describes rather well the feet-swept feeling one may experience with a well-made thriller every so often. “Stunned, shocked, astounded or overwhelmed” are some of the synonyms offered for this cricket-oriented idiom, which is exactly how I felt after sitting through the Swedish vampire flick… [MORE]

The second part of this list can be found here >>>